Showing posts with label Joan Shay. Show all posts
Showing posts with label Joan Shay. Show all posts

Friday, July 12, 2013

4 Ways to Make a Dimensional Quilt


Joan Shay recently finished up a year's worth of designs for Quilt Trends magazine, all using her Appli-bond technique to create dimensional features, and of course, our fabrics. We're excited to share all four with you here on the blog, along with Joan's thoughts about her designs!

 Cape Cod Memories

The Idea
We used to live on Cape Cod, an area known for these flowers. To me, summer is hydrangeas. It's been a bit of a family flower—our daughter even carried in them in her wedding. Creating three-dimensional hydrangeas is what started my whole style of quilting, actually. There was no question the summer project would have hydrangeas in it. The geese on the borders represent seagulls on the Cape, and the scallop shells and starfish in the corners signify the Cape as well. They are embellished with hand stitching: stem stitches and French knots.

The Technique
I wanted to put the flowers on a straw wreath, so I drew the wreath shape on a piece of water-soluble stabilizer, layered my scraps, and added another piece of stabilizer on top. After zigzag stitching all over the wreath, I washed the stabilizer away. I made clusters of pink, blue and purple flowers on the wreath, using my Appli-Bond technique.

The Fabric
Budding Beauties [by Ro Gregg] is a hydrangea collection—perfect for this quilt. I used the bigger, bolder print for the Flying Geese and smaller flower for the inner border. Purple and lime green are what people are gravitating to right now, so the colors worked well. I really like the color combination of this quilt. I actually made this quilt when I was away on a retreat with my guild, and everyone wanted it!

See the Budding Beauties fabric collection here.
See the Focus collection here.
See the Marblehead prints here.

Find the kit here.
Find the summer 2013 issue of Quilt Trends here.


Spring Fever

The Idea
This quilt isn't intended to be realistic like my others; rather, it's an abstract flower. I saw the border print [from Wildflowers] and worked backwards on this design. I really wanted the quilt to have the vibrant colors of spring. When I found that print, everything came into focus from there.

The Technique
The flowers are just an abstract bloom, but very dimensional. In the corners, I just love doing miniature fans/Dresden plates. Instead of using the traditional quarter circle at the base, I placed one of the abstract flowers there. My favorite part of this quilt is the butterfly. My class on creating a dimensional monarch butterfly is one of the most popular ones I teach. You actually make the butterfly fabric, building it piece by piece.

The Fabric
I used two different green tones from Focus for the background. The darker green sections are longer than the lighter greens, so it's not a typical four-patch. The colors in the flowers, butterfly, and bee help tie the border print in.

See the Wildflowers collection here.
See the Focus collection here.
See the Marblehead prints here.
Find the kit here.
Find the spring 2013 issue of Quilt Trends here.


Winter's Eve

The Idea
I wanted to do an owl, and it all started there. Because it was a winter quilt, I decided to make the background a night sky with a big moon and snow capped tree. The challenging part was that I wanted to do a pieced background that would show the shadows from the moon on the sky.
  
The Technique
I built the dimensional owl first—that's the advantage of my Appli-bond technique—you can have the owl in your hand totally made, built on a foundation of bonded fabric, and place it anywhere you want. I was really pleased with the owl—especially the eyes. They're like Mona Lisa; they follow you were you go.

The Fabric
My style depends on shading more than anything, so I can't use solid prints. Because my quilts are more pictorial, I always try to make my quilts realistic looking. To me, getting the right fabrics is half the battle.
Marbleheads work perfectly for everything I do; this quilt also uses tonals from Focus. Using the lighter and darker blues together was the fun part of doing the quilt.

See the Focus collection here.
See the Marblehead prints here.
Find the kit here.
Find the winter 2013 issue of Quilt Trends here.


Harvest Home 

The quilt that started this four-season series! See our original blog post on Harvest Home here.








Monday, September 24, 2012

Meet Our Cover Girl! {and a giveaway!}


Joan Shay designed this fall-themed wall hanging for Quilt Trends magazine using her Appli-Bond© technique and our Marblehead fabrics.

Don't you love the dark brown marble fabric creates such a rich background for the quilt?
Harvest Home by Joan Shay, 36" square

About the quilt:
''Since the quilt was for a fall issue, I started thinking about what was representative of the season: leaves, corn husks, pumpkins," Joan says. "The pieces are all attached with some sort of embroidery stitch. For machine quilting, I basically outlined the sashing strips."
''My favorite part is the cornstalk—a real challenge. I wanted to make it look round and dimensional, and I think I was able to achieve that with layering."

About the fabric:
''The Marblehead fabric worked perfectly for it all. I never use solids, because the objects I'm making are not one solid color in nature. There were wonderful variations in the colors, from dulls to brights."

About the technique:
To create these 3-D results, Joan fuses two pieces of fabric together using HeatnBond® Ultra Hold Iron-On Adhesive. Then she traces and cuts out her shape, and stitches it to the background fabric. The adhesive prevents fraying because all the fibers will be glued together, and it also allows pieces to be curled and shaped. ''It's a great segue for people who are afraid of appliqué,'' Joan says. ''And you can shape the pieces so that they're very dimensional, by reheating them and holding in them in place until they cool."

About the designer:
Joan came up with this idea after a dream one night, back in 1997. Her first quilt using this technique was a Nantucket basket filled with blue hydrangeas. She just finished writing her fourth book with AQS, and the technique she developed for flowers and leaves has expanded to birds, dragonflies, fish, and even mermaids. Visit her website, Petal Play.

And…great news for fans of Joan's work. She'll have a winter-themed wall hanging made from Marblehead in the next issue of Quilt Trends!

Order the Fall 2012 issue of QuiltTrends here.
Order a kit for Joan's Harvest Home quilt here.

Giveaway!
The giveaway is now closed.
In celebration of our cover quilt, we are offering a kit to make Joan's project, including the issue of Quilt Trends containing the pattern. To enter to win this kit, leave a comment on this post telling us how you are a follower (Google Friend Connect or via email), and then tell us your favorite Fabri-Quilt fabric collection. The giveaway will be open through Thursday, September 27 at 11:59 pm EST. Check the blog on Friday to see if you won!
**NOTE: You must be a follower of our blog. (If you're not a follower yet, either join via Google Friend Connect or sign up to follow by email, both in the right sidebar.)