Friday, May 22, 2015

Behind the Scenes: Around the World

One of the quilts we showed you in our Quilt Market booth was Shannon Brinkley's Around the World quilt, made from our Prairie Cloth Solids collection. The design, from Shannon's new book, Scrappy Bits Applique, uses her fabric collage technique.

Meet Shannon.
I am a teacher turned quilter and designer. I really fell in love with quilting back in college when I visited the Houston Quilt Festival, and I fell in love with raw edge applique in particular. 
I design modern quilting patterns using my super fun and quick raw-edge applique techniques that I’ve developed and written about in my book Scrappy Bits Applique. Having my background in education, I adore teaching, and am lucky enough to get to teach my applique techniques all over the country. I nest in the lovely Austin, Texas with my wonderful husband and son. I spend my time sewing, quilting, knitting, reading, writing, cooking, yoga-ing, teaching, and enjoying time with my favorite people. 

Meet Shannon's technique.
I started playing and exploring with fabric and out of that came my technique, and I’ve been refining it over the past several years. I’ve always loved collaging in different mediums, so collaging with fabric was the perfect extension. I love the instant gratification that you get from collaging with fabric. There’s some tactile gratification you get from manipulating the fabric and fusing it, like a painter slapping paint on a canvas.

Shannon's Around the World quilt:
The Around the World quilt—The pattern is in my book, and I picked out various hues from the Prairie Cloth Solids and used my scrappy applique technique to make the map quilt. This quilt was the first time that I used all solids in a collaged quilt. I love how it turned out--the colors are all so vibrant and fun!

Read more about Shannon's Around the World quilt, including how she chose what colors went where, on her blog. We'll be sharing more about Shannon and her upcoming fabric collection soon!

See the colors available in our Prairie Cloth Solids collection here.
Find out more about Shannon's book here.

Thursday, May 21, 2015

Quilt Market Recap

Welcome to the virtual tour of our booth from Spring Quilt Market in Minneapolis!

First, an overview, and then we'll show some close-ups.

The left side of the booth:

Back corner:
Bonus flag pattern from Barb Eikmeier featuring her Vintage Shirting & Dress Prints collection; available through shops participating in the BOM program

 Right side of the booth:

Right side continued: 

And now, the closer look:
A period dress made from Vintage Shirting prints; behind is the free pattern for Ro Gregg's Marblehead Gemstones, Jewels & Quartz; download it here.

The booth included vignettes of fabrics and props related to the Vintage Shirting collection; here you see featherweight sewing machine cover that will be available through shops participating in the BOM program.

The free pattern using a Vintage Shirting & Dress Prints  snack pack; available on our website and blog soon!

Around the World quilt by Shannon Brinkley from her book, Scrappy Bits Applique (featuring our Prairie Cloth solids)

A close-up of this cool quilt--watch for more info on this quilt on the blog soon!

Table art: Changing Seasons quilt designed by Kristi and Rebecca Ryan; featuring Ro Gregg's Changing Seasons collection. Find the free quilt pattern here.

A free quilt pattern by Maria Pate using a Fall's Canvas snack pack; download the free quilt pattern here.

Quilt made using the many prints from the Classique basics collection

"Mesmerize" quilt embroidery design by Jayme Crow featuring our Batiks

From left, free patterns from A Walk in the Park, Botanical Society, Bear Hugs, and Eggcellent Adventures (Find the free patterns by clicking the links.)

Another vignette with a peek at the Botanical Society and Bear Hugs quilts

MonStar quilt by Rebecca Ryan, featured in her Modern Rainbow book and using our Prairie Cloth solids

On the table in the background: Briarcliff quilt by Diane Arganbright and Patty Sue Nelson; available soon as a free download on our website.
The table runner in the foreground features the huge variety of Classique prints, designed by Maria Pate 

Stratify by Jessica J.E. Smith; featuring Ro Gregg's Marblehead Global Brights (Purchase the pattern here)

Monkey Wrench quilt by Airborne Heirlooms featuring Shadows; available for free download here.

 And of course the Vintage Sampler BOM that we introduced you to last week. Watch for it in your local quilt shop this fall!

One of the booth polls wrapped in cotton bolls...we couldn't resist!

Tuesday, May 19, 2015

The Perfect Tote

Just as we quilters and sewers can never have too much fabric, we can never have too many bags. With so many different patterns, sizes, features, and fabrics to choose from, it's always easy to find another one you "have" to make! 

We're pretty sure that you'll be adding Maria Pate's Lavender and Leather tote, featured in the May/June 2015 issue of Fons and Porter's Love of Quilting to your summer to-do list. Not only does it contain all of the features that Maria considers necessary in a "perfect tote" (see her answer below), but it's made using our summery Piccadilly line combined with leather. That's right--leather! This soft calf leather (the white patches in the photo) is one of our newer products and gives this bag a little something extra. Plus it's easy to work with! Be sure to ask your local quilt shop to order some! Keep reading to learn more about this tote.

"Lavender and Leather" by Maria Pate;
featured in Love of Quilting May/June 2015

Q.  What can you tell us about working with leather?
Maria: Well, it depends on the type of leather you are using. The leather I used in the tote bag is calf leather, which is about the thickness of corduroy and just as pliable. You don't want to use anything thicker than that for patchwork as it is harder to cut, bend, and sew. Calf leather can be cut with your standard rotary cutter and sewn with a universal sewing needle and regular sewing thread. I have ironed on the leather but I used a pressing cloth to protect it.
When sewing with leather, you want to keep the leather on the bottom so that the feed dogs of your machine will push the textile through. You can use a Teflon foot or even put a piece of scotch tape on the bottom of your foot to help it slide over the leather more easily but I have found that by just keeping the leather on the bottom when piecing it with cotton is the easiest. When you do combine leather with cotton, you always want to press your seams toward the cotton as that is the natural way the seam will want to lay and you don't want to fight the leather.
Another important thing to remember when sewing with leather is that once you have stitched through it, the holes that the stitches make are there forever so if you have to use pins, make sure you pin in the seam allowance and not in the middle of the leather where the holes will show.

Q. What did you like about using the leather in your design?
Maria: I really like the added texture that the leather accents gave to the tote.

Q. Can you talk about the 2 different designs for the sides of the bags?
Maria: I chose to make the sides of the bag different so that it could be almost like a reversible bag and have two looks in one.

Q. What was your vision in creating all of the small patchwork pieces?
Maria: There actually is a very specific layout to the patchwork. I wanted it to look scrappy but still organized. The pieces are put together in 3" finished blocks, then into 6" x 9" panels, and finally the three panels are sewn together. I like to have the design look complicated but make the piecing simple so anyone can do it. This is the approach I take with all my designs and patterns. I give detailed instructions with tons of pictures and even arrows for pressing directions. I want all levels of quilters and sewers to feel that they can try any of my patterns and know they will be successful.
Also, if you look closely, you will see that the leather pieces are always next to cotton pieces. The patchwork side is made in three panels and I designed it so that when you sew the panels together, you would not have to sew with leather on both the top and bottom pieces. That way when you press, you can always press toward the cotton side.

Q. What do you like best about the bag?
Maria: Where do I begin? Let's's deep enough to carry a laptop or a notebook without it sticking out of the top and hitting you in the elbow, the pockets are deep enough so that you can store your sunglasses or phone without having to worry about them getting scratched, and I made the straps with both stabilizer and fusible fleece so that they are comfortable if you do have to carry anything heavy. Also, I added feet to the bottom to help protect it from wear and put a magnetic clasp in for added security. I basically thought about all the things I didn't like about bag patterns I had seen or made in the past and improved and combined them with this one to create what I think is the perfect tote.

Q. What do you envision using the tote bag for?

Maria: Fabric shopping, of course! This would be a great bag for any kind of shopping or for toting your laptop or notebook too, but I think mine will be used for fabric shopping. ;-)

See the Piccadilly collection here.
Find the digital Lavender and Leather tote bag pattern here.
Find information about the Love of Quilting episode where Maria makes this tote here.
Find Fons and Porter's Love of Quilting magazine here.

Friday, May 15, 2015

Booth Sneak Peek

Quilt Market starts today in Minneapolis! 
Here's a quick peek at our booth; if you're at the show, please swing by booth #2318-2319 and say hello...if you're not at the show, stop by the blog next week we'll take you on a virtual tour of the booth!

Wednesday, May 13, 2015

Vintage Shirting Bonus Project Ideas

What else can you make with the Vintage Shirting & Dress Prints collection?

Here's a little inspiration: Barb Eikmeier designed these bonus projects to accompany the Vintage Sampler BOM quilt. These patterns will be available from shops participating in the BOM program.

Featherweight sewing cover
 Barb says: I got my first featherweight about six months ago and have realized how much love quilters have for them. After I decided to design a sewing machine cover, I then narrowed it to a featherweight cover. The feathered wreath motif comes from a quilting stencil. The pattern also includes a separate bag for the foot, made from the same quilted fabric as the cover.

American Flag (44" x 31")
Barb says: With all the U.S. ties to this fabric line--the fabric being printed in the U.S., the history of the fabrics, and the colors--a flag seemed like a good choice. I wanted to do a realistic-looking flab, but that would have required a lot of really little stars. Instead, there are sixteen stars on my flag, which means absolutely nothing except that it comes out to a square. That's the fun of folk art designs! The stars will come with three different sets of instructions--applique, English paper piecing, and hand piecing with set-in seams.

Table runner (12" x 58")
Barb says: People seem to like table runners because they are fast to make and great decor for homes. I liked how the black and the blue looked together. Lots of flying geese to make!
Runner center close-up

Read more about Barb's Vintage Shirting & Dress Print collection here.
See the entire collection here.
Find out more about Barb, her fabric collection, and her quilts here.
Learn more about the BOM Vintage Sampler here.

Monday, May 11, 2015

Vintage Shirting Prints: Made in America

We know we've mentioned this fact before, but we're pretty excited about it, so we're giving it its own post!

Our new Vintage Shirting & Dress Prints collection by Barb Eikmeier is...

That's right! The cotton is grown in the US...

printed on a mill in South Carolina, 
and stacked on shelves in our Kansas City warehouse, ready and waiting to be shipped out to a quilt shop near you!

Why is the Vintage Shirtings and Dress Prints collection printed in the USA? 
Barb had so much detail to make the fabrics as historically accurate as possible-she was very specific with the types of designs and colors selected from her vintage quilt collection. We wanted everything to be as authentic as possible, so we researched printing in the USA. We were so excited to find a great quality of fabric to print on. It is very smooth and has a great hand, and is printed with premium quality dye stuff, which is richer and more vibrant than typical fabric dye.

The cotton is grown, spun, woven and printed, all in the USA. We are so very proud to be able to support our country! 

Read more about Barb's Vintage Shirting & Dress Print collection here.
See the entire collection here.
Find out more about Barb, her fabric collection, and her quilts here.
Learn more about the BOM Vintage Sampler here.
"Vintage Sampler BOM" by Barb Eikmeier

Friday, May 8, 2015

New BOM: Vintage Sampler

Yesterday we shared Barb Eikmeier's Vintage Shirtings and Dress Prints collection with you; today we're back with the unveiling of her coordinating Block of the Month quilt. 

This isn't your ordinary fact, our favorite description came from Barb's daughter, who called it "a smorgasbord of quilt blocks."

"Vintage Sampler" by Barb Eikmeier
82" x 89"
Wow, right? That's what we said when we saw it! 

We asked Barb to walk us through her Vintage Sampler design. 

I definitely have to talk about the applique because that’s my greatest love in quilting. I know that a lot of quilters don’t love applique so I just put a touch of it and tried to scatter it throughout the quilt—you see the birds and the vines, both of which are a recurring theme throughout. The BOM pattern comes with instructions for fusible applique.

I love basket blocks so I chose a couple of different designs—the one with the handle is actually repeated three times. The basket blocks are sort of scattered throughout as well. Even though there aren’t rows in the quilt, I wanted it to have a feel of uniformity, and I think the repeating blocks do help with that.

Beyond that, I chose blocks I love—churn dash, little bowties, little pinwheels (called turnstiles because of how they're assembled). I included some star blocks because most traditional quilters like star blocks. It was a ton of fun to design.

Believe it or not, there is only one partial seam in the entire quilt!

The BOM program is set up so that you're making more than one block at a time—you'll sew two, sometimes three blocks in a month. If you keep up with the instructions each month, you'll be able to build it as you go, and by the time you get to month twelve, all you'll have to do is sew the sections together and then add the borders! 

Thanks for sharing your Vintage Sampler BOM quilt, Barb! Watch for this BOM in your local quilt shop in fall--we'll be posting updates here on the blog as well so you'll know when to start looking for it!

Missed our post on the brand-new, Made-in-the-USA Vintage Shirtings and Dress Prints collection? Read it here.
Be sure to check out Barb's blog as well for more anecdotes about the fabric collection and what she's making from it! 
See the entire collection here.